http://criticalcommons.org/latestclips Latest clips on Critical Commons en-us Critical Commons http://criticalcommons.org/latestclips/logo02.gif http://criticalcommons.org/latestclips Copyright 2010, Critical Commons. GPL v3 240 admin Latest clips on Critical Commons http://criticalcommons.org/Members/ccManager/clips/weirdscienceracistteens.mp4/view The perfect woman created by two suburban white teenagers introduces them to urban life The perfect woman created by two suburban white teenagers introduces them to urban life plumi.usc@gmail.com technocinema hacker race black ethnic vernacular racism Tue, 22 May 2012 15:18:07 -0700 http://criticalcommons.org/Members/ccManager/clips/weirdscienceracistteens.mp4/view http://criticalcommons.org/Members/MCIMR/clips/italian1.mp4/view Burlusconi criticism Burlusconi criticism inmediares.gsu@gmail.com tv and politics in media res italian television and media convergence berlusconi Fri, 18 May 2012 10:24:56 -0700 http://criticalcommons.org/Members/MCIMR/clips/italian1.mp4/view http://criticalcommons.org/Members/ccManager/clips/sleepercelltitles.mp4/view The title design sequence of Sleeper Cell brings together multiple tropes of post-9/11 terrorism anxiety The title design sequence of Sleeper Cell brings together multiple tropes of post-9/11 terrorism anxiety plumi.usc@gmail.com 9/11 torture tv paranoia titles technocinema terrorism Thu, 17 May 2012 13:19:28 -0700 http://criticalcommons.org/Members/ccManager/clips/sleepercelltitles.mp4/view http://criticalcommons.org/Members/MCIMR/clips/breakinginseason2open.mov/view Opening of season 2 Opening of season 2 inmediares.gsu@gmail.com breaking in television networks save our show computer sitcoms technocinema hacking in media res Fri, 11 May 2012 14:13:18 -0700 http://criticalcommons.org/Members/MCIMR/clips/breakinginseason2open.mov/view http://criticalcommons.org/Members/michacardenas/clips/find-each-other-higways-notitles-mp4web.mov/view Find Each Other part of Local Autonomy Networks project concept, poem and fashion hacking: micha cárdenas movement: allison wyper and natalie rosen camera and fashion hacking: claire viele “How do we find each other,” asks the Invisible Committee in The Coming Insurrection. Performed at Highways Performance Space, A Night of Transanarchism, April 6, 2012, Find Each Other is based on two custom made proximity sensing garments that use Xbee wireless mesh networking to activate electroluminescent wire when in each other's presence. Find Each Other is an experimental movement piece in which two performers explore space to the sound of poetry, using proximity sensing electronic garments from the Autonets series. Autonets is inspired by an urge to create technologies to facilitate communication for community based, anti-racist, prison abolitionist responses to gendered violence, creating networked fashion to reimagine social organization. More information about Autonets: transreal.org/2011/11/04/autonets-local-autonomy-networks/ Camera by Claire Viele Special thanks to Jack Halberstam for input on this project. Support provided by USC Media Arts and Practice, School of Cinematic Arts transreal.org Find Each Other part of Local Autonomy Networks project concept, poem and fashion hacking: micha cárdenas movement: allison wyper and natalie rosen camera and fashion hacking: claire viele “How do we find each other,” asks the Invisible Committee in The Coming Insurrection. Performed at Highways Performance Space, A Night of Transanarchism, April 6, 2012, Find Each Other is based on two custom made proximity sensing garments that use Xbee wireless mesh networking to activate electroluminescent wire when in each other's presence. Find Each Other is an experimental movement piece in which two performers explore space to the sound of poetry, using proximity sensing electronic garments from the Autonets series. Autonets is inspired by an urge to create technologies to facilitate communication for community based, anti-racist, prison abolitionist responses to gendered violence, creating networked fashion to reimagine social organization. More information about Autonets: transreal.org/2011/11/04/autonets-local-autonomy-networks/ Camera by Claire Viele Special thanks to Jack Halberstam for input on this project. Support provided by USC Media Arts and Practice, School of Cinematic Arts transreal.org mmcarden@usc.edu race art wearable electronics gender performance art violence sexuality performance politics Thu, 10 May 2012 10:17:02 -0700 http://criticalcommons.org/Members/michacardenas/clips/find-each-other-higways-notitles-mp4web.mov/view http://criticalcommons.org/Members/penelson/clips/invisibledrinking.mp4/view In this scene, Kitty Carroll, the Invisible Woman, gets drunk and behaves badly. In this scene, Kitty Carroll, the Invisible Woman, gets drunk and behaves badly. penelson@usc.edu genre gender chc ideological analysis Wed, 09 May 2012 13:42:49 -0700 http://criticalcommons.org/Members/penelson/clips/invisibledrinking.mp4/view http://criticalcommons.org/Members/penelson/clips/invisiblefight.mp4/view In one of the final scenes of The Invisible Woman, Kitty Carroll knocks out a band of bumbling mobsters. In one of the final scenes of The Invisible Woman, Kitty Carroll knocks out a band of bumbling mobsters. penelson@usc.edu gender chc ideological analysis narrative structure Wed, 09 May 2012 13:38:56 -0700 http://criticalcommons.org/Members/penelson/clips/invisiblefight.mp4/view http://criticalcommons.org/Members/penelson/clips/titles.mp4/view The credit sequence for The Invisible Woman The credit sequence for The Invisible Woman penelson@usc.edu gender titles chc composition credits Wed, 09 May 2012 13:40:57 -0700 http://criticalcommons.org/Members/penelson/clips/titles.mp4/view http://criticalcommons.org/Members/penelson/clips/invisiblewomanclip1.mp4/view This clip from the 1940 film The Invisible Woman depicts the protagonist wreaking havoc on her abusive boss. The scene's use of invisibility as a justification for women's bad behavior fits within a lineage of such representations continuing on all the way through to the 2003 Buffy the Vampire episode "Gone." This clip from the 1940 film The Invisible Woman depicts the protagonist wreaking havoc on her abusive boss. The scene's use of invisibility as a justification for women's bad behavior fits within a lineage of such representations continuing on all the way through to the 2003 Buffy the Vampire episode "Gone." penelson@usc.edu genre gender chc ideological analysis Wed, 09 May 2012 11:30:00 -0700 http://criticalcommons.org/Members/penelson/clips/invisiblewomanclip1.mp4/view http://criticalcommons.org/Members/crsbecker/clips/nbcqualityshows.mp4/view A 2007 promo from NBC A 2007 promo from NBC becker.34@nd.edu nbc quality tv networks marketing Sun, 06 May 2012 08:15:47 -0700 http://criticalcommons.org/Members/crsbecker/clips/nbcqualityshows.mp4/view http://criticalcommons.org/Members/MRobinson/clips/do-the-right-thing-direct-address.mp4/view In this clip from director Spike Lee's Do the Right Think, Mookie (Spike Lee), Pino (John Turturro) and others let fly a barrage of racial epithets and stereotypes. In this clip from director Spike Lee's Do the Right Think, Mookie (Spike Lee), Pino (John Turturro) and others let fly a barrage of racial epithets and stereotypes. mmrobins@unc.edu spike lee auteur direct address Mon, 30 Apr 2012 08:26:24 -0700 http://criticalcommons.org/Members/MRobinson/clips/do-the-right-thing-direct-address.mp4/view http://criticalcommons.org/Members/MRobinson/clips/25th-hour-rant.wmv/view This clip from director Spike Lee's 25th Hour features Monty Brogan's (Edward Norton) famous monologue about post 9/11 America. This clip from director Spike Lee's 25th Hour features Monty Brogan's (Edward Norton) famous monologue about post 9/11 America. mmrobins@unc.edu spike lee auteur direct address Mon, 30 Apr 2012 08:22:42 -0700 http://criticalcommons.org/Members/MRobinson/clips/25th-hour-rant.wmv/view http://criticalcommons.org/Members/MRobinson/clips/dalton-russell-monologue-1.mp4/view In this clip from director Spike Lee's Inside Man, Dalton Russell (Clive Owens) repeats the enigmatic monolgue introduced at the beginning of the film. In this clip from director Spike Lee's Inside Man, Dalton Russell (Clive Owens) repeats the enigmatic monolgue introduced at the beginning of the film. mmrobins@unc.edu spike lee auteur direct address Mon, 30 Apr 2012 08:21:01 -0700 http://criticalcommons.org/Members/MRobinson/clips/dalton-russell-monologue-1.mp4/view http://criticalcommons.org/Members/MCIMR/clips/luck-clip-edited.wmv/view Two brief clips from Luck Two brief clips from Luck inmediares.gsu@gmail.com commonplace space david milch deadwood in media res luck Thu, 19 Apr 2012 12:21:43 -0700 http://criticalcommons.org/Members/MCIMR/clips/luck-clip-edited.wmv/view http://criticalcommons.org/Members/MRobinson/clips/miss-violet-sanchez-de-jalapeno.wmv/view In this sequence from director Wayne Wang's film Smoke (a collaboration with well-known author Paul Auster), Augie (Harvey Keitel) and Violet (Mel Gorham) run into Paul Benjamin (William Hurt) at a bar. In this sequence from director Wayne Wang's film Smoke (a collaboration with well-known author Paul Auster), Augie (Harvey Keitel) and Violet (Mel Gorham) run into Paul Benjamin (William Hurt) at a bar. mmrobins@unc.edu gender caricature auteur wayne wang Wed, 18 Apr 2012 13:46:30 -0700 http://criticalcommons.org/Members/MRobinson/clips/miss-violet-sanchez-de-jalapeno.wmv/view