A mise en abyme moment in The Simpsons pits action hero McBain against the ahistorical forces of the Commie-Nazis Read more…
Computer scientists in the popular imagination of the 1970s were frequently "coded" as evil Read more…
A binary kitsch aesthetic combines with Saul Bass-style high contrast animation in the title sequence for Irwin Allen's Lost in Space Read more…
How do the technologies of holography and virtual reality alter the cinematic imaginary of home movies? Read more…
An illustrated video essay on cinematography in AMC's Mad Men Read more…
A 1961 episode of the television road series Route 66 prominently features an IBM 709 mainframe computer accompanied by a typically exclusionist lecture by a computer scientist Read more…
The didactic ending of the Rockford Files episode "The House on Willis Avenue" (S4E21) warns against eroding privacy due to data surveillance Read more…
The opening title sequence from the first season of Mannix, using multiple split screens and ambient supercomputing Read more…
Jim Rockford uncovers a secret, domestic data surveillance system in 1978 Read more…
Evil systems administrator Fisher Stevens uses a head-mounted display for virtual boxing during his free time in Hackers Read more…
A Russian computer hacker goes to an IBM computer store in St. Petersburg to send an e-mail Read more…
The opening title sequence of Surrogates neatly summarizes the competing utopian/dystopian rhetoric that inevitably surrounds emerging technologies Read more…
Glen A. Larson's original Cylons in Battlestar Galactica have the same red LED "eyes" as KITT from Knight Rider Read more…
A more prosaic instance of touch screen gestural interface in MI4 Read more…
The opening title sequence of the CBS series Person of Interest describes the development of a government AI system capable of predicting violent behavior Read more…
This scene from The Matrix Reloaded pays homage to multiple cinematic superheroes and tropes of the body, death and resurrection Read more…
The 1K Project II uses more than a thousand cars composited into a TrackMania landscape to create a frenzy of automotive aerobatics and destruction Read more…
The 1K Project II uses more than a thousand cars composited into a TrackMania landscape to create a frenzy of automotive aerobatics and destruction Read more…
A human is punished for using a word associated with past repression of apes Read more…
An agent from the future is sent back in time to interrupt the U.S. space program before it precipitates planetary destruction but first he must win an argument with a computer. Read more…
A composited image of Democratic Presidential nominee John Kerry and activist Jane Fonda was circulated prior to the 2004 election Read more…
The televisual convention of randomly flipping switches to control computers is taken to amusing extremes Read more…
The technoscientific imaginary was in full-swing when Irwin Allen envisioned what space exploration would look like in 1997 Read more…
The punch cards used for information storage and retrieval could be read like telegrams while radio beacons anticipated GPS for urban surveillance Read more…
Technocratic corporate surveillance is contrasted with the rugged individualism of the private detective Read more…
When John Roberts was sworn in as Chief Justice, the LA Times published this uncannily apocalyptic front page Read more…
Harry Shearer created this mix about the UC Davis campus police officer who pepper sprayed student protestors on November 18, 2011 Read more…
Lenka Clayton created this remix of George Bush's 2002 "Axis of Evil" speech by extracting individual words and arranging them in alphabetical order Read more…
Barbara Bush points out that relocation was actually good for poor people in New Orleans Read more…
This ad for a Lincoln Continental convertible appeared as a two-page spread in the Life Magazine from October 2, 1964 Read more…
Opening titles for the Fox medical drama House Read more…
A remix showing uncanny resonances in Disney animations Read more…
This video assembles several different cover versions of "Little Boxes," the Malvina Reynolds song used as the theme song for "Weeds." Read more…
A television set once again appears as a narrative device for communicating with movie characters Read more…
The visual vernacular of super-8 home movies is once again invoked to signify "memory" in a Hollywood feature film Read more…
Michael Douglas takes a series of physical, emotional and psychological tests as preparation for the start of his "game" Read more…
The narrative climax of The Game represents the culmination of an elaborate series of events, resulting in an impossibly precise outcome and catharsis Read more…
Characters in a virtual reality game begin to feel slippage between the "real" and "virtual" worlds Read more…
A scene from eXistenz highlighting the game mechanics and mise en abyme structure of the narrative. Read more…
A music video by the Smiths evoking nostalgia and placid suburbanism Read more…
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