This clip is an example of an editing style that is not concerned with creating a seamless, synthetic sense of space. Instead, Eisenstein uses the resources of editing to create an abstract argument about the relationship of religion to modern politics. The juxtaposition of icons from different religions suggests that the tendency of states to enlist religion as a legitimation of their power is a corrupt practice.
Commentaries on this Media!
Intellectual montage in October
by Oliver GayckenThis clip is an example of an editing style that is not concerned with creating a seamless, synthetic sense of space. Instead, Eisenstein uses the resources of editing to create an abstract argument about the relationship of religion to modern politics. The juxtaposition of icons from different religions suggests that the tendency of states to enlist religion as a legitimation of their power is a corrupt practice.
Other media by this contributor
Jump cuts in Breathless
High-key lighting in The Yearling
Scenes of the Deluge (3)
Eyeline match in The Stendhal Syndrome
Canting in Brief Encounter
Diagetic voiceover in Election
Editing rhythm in The Man with a Movie Camera
Foley work in Jurassic Park
A tracking shot in Man with the Movie Camera
Deep space in a Vonage commercial
Expressive cinematography in In Cold Blood
Scenes of the Deluge (4)
Use of a wide-angle lens in Hitch
Playing with diegetic sound conventions in There's Something about Mary
Superman Wipe