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FILM: Citizen Kane - Rally Balcony Composite
by Clifford Galiher `

This shot was probably selected by Dunn as a textbook example of a composite used not just to cut down on set construction costs, but also to keep both foreground and background sharp (as even Toland's deep focus camerawork had limits to its range).

This Commentary is related to the following Clips:
FILM: Citizen Kane - Rally Balcony Composite by Orson Welles (1941) This shot was probably selected by Dunn as a textbook example of a composite used not just to cut down on set construction costs, but also to keep both foreground and background sharp (as even Toland's deep focus camerawork had limits to its range).