Skip to content. | Skip to navigation

Personal tools

Commentaries on this Media!

Affect, Location, and Identification in 30 Days

by Ethan Tussey

by Daniel Marcus for IN MEDIA RES

Morgan Spurlock’s documentary series 30 Days is built around the experiences of subjects who each venture into a different social reality for a month.  Replicating Spurlock’s stunt of personal participation that propelled the success of his feature documentary Supersize Me, 30 Days features a plunge into new personal experience to expose the fissures in American life. Many of the episodes revolve around a culture clash between representatives of opposing camps in society, in which one character enters the social world of her seeming opposite. Spurlock establishes his arguments through the play of on-the-site learning and identification. Using a complex design of interwoven perspectives, Spurlock creates a dialogic journey in which viewing attention threads itself through innocence and experience, ignorance and knowledge, stereotyping and personalization. The structuring device of experimentation through personal experience is meant to provide an undeniable authenticity to the episodes, but it is the deft construction of perspective and identification that more often produces the emotional power that the series achieves at its best. 

In “Immigration,” Spurlock introduces Cuban-born Frank, who came to the US legally as a child.  Frank participates in border patrols with the Minuteman group, and sees illegal immigrants as a grave threat to “Americans, like myself.” Frank moves in with the undocumented Gonzales family in East Lost Angeles. The family’s oldest child, Armida, is a high school senior hoping to get a college scholarship, which her illegal status makes doubtful. Frank’s complete identification with his sense of Americanness and consequent sense of the radical otherness of illegal immigrants is confronted by Armida’s political challenge to rigid definitions of identity, coincident with her attempts to be accepted into the American mainstream. In the climactic scene of the show, Frank travels to Mexico to see how the family had lived before moving to the US. His placement in the very location of their past experience forces Frank to start to identify more strongly with their perspective and desires for their future, and viewers can follow Frank’s own journey toward emotional reconciliation with those he had deemed outside the bounds of American society, however conflicted he remains.



30 Days

Clip from 30 Days tv series

from 30 Days (2006)
Creator: Morgan Spurlock
Distributor: FX Networks
Posted by Ethan Tussey