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Alphabet soup is used as an interface for the bat computer on TV's Batman 02:55 Alphabet soup is used as an interface for the bat computer on TV's Batman
From Batman (1967).
Batman and Robin's reliance on computerized problem solving is tested when a woman's vanity causes the power to go out in the bat cave Contributed by Critical Commons Manager
A scheme to use a supecomputer to predict roulette outcomes in The Honeymoon Machine 02:10 A scheme to use a supecomputer to predict roulette outcomes in The Honeymoon Machine
From The Honeymoon Machine (1961).
A Naval officer and a civilian scientist imagine using a supercomputer for casino gambling Contributed by Critical Commons Manager
Personal computer kitsch adorns the opening title sequence of The Center of the World 02:23 Personal computer kitsch adorns the opening title sequence of The Center of the World
From The Center of the World (2001).
Database aesthetics and keyboard input set the stage for a narrative set on the brink of the dotcom era Contributed by Critical Commons Manager
The Matrix Reloaded title design 00:52 The Matrix Reloaded title design
From The Matrix Reloaded (2003).
Aestheticized software code sets the stage for this sequel to The Matrix Contributed by Critical Commons Manager
VR5 Title sequence 00:44 VR5 Title sequence
From VR5 (1995).
The opening title sequence of VR5 outlines the levels of virtual reality from Computer Screen to Virtual Sensory Reality Contributed by Critical Commons Manager
IBM Why Data Matters 02:08 IBM Why Data Matters
From Why Data Matters (2010).
Analyzing and making sense of data for IBM's Smarter Planet campaign Contributed by Critical Commons Manager
Montage of torture scenes from Marathon Man 07:47 Montage of torture scenes from Marathon Man
From Marathon Man (1976).
A graduate student played by Dustin Hoffman is tortured by Nazi dentist Laurence Olivier Contributed by Critical Commons Manager
The database of horror from Cabin in the Woods 11:18 The database of horror from Cabin in the Woods
From The Cabin in the Woods (2011).
The recombination of generic elements in Hollywood narratives is rarely exposed with such blunt self-awareness as in this climactic scene from Cabin in the Woods Contributed by Critical Commons Manager
Mannix vs. Technology 01:07 Mannix vs. Technology
From Mannix (1967).
Technocratic corporate surveillance is contrasted with the rugged individualism of the private detective Contributed by Critical Commons Manager
Supercomputer switch interface in The Towering Inferno 00:58 Supercomputer switch interface in The Towering Inferno
From (1974).
Responsibility for getting a skyscraper's fire, electrical and security systems back online is left to the Chief of Security (O.J. Simpson) Contributed by Critical Commons Manager
Split-screens and multiscreen displays signify a cyber-terrorist's mastery of the internets 01:10 Split-screens and multiscreen displays signify a cyber-terrorist's mastery of the internets
From Cybergeddon (2012).
Techno music still signifies mastery of the cyber realm where all-seeing cyber-terror hackers launch their viruses in red fonts Contributed by Critical Commons Manager
The ultimate computer threatens world domination in The Man From U.N.C.L.E. 03:04 The ultimate computer threatens world domination in The Man From U.N.C.L.E.
From The Man From U.N.C.L.E. S2E3 (1965).
A computer capable of storing all the world's knowledge scanned from great books promises to aid the worldwide criminal organization THRUSH take over the world Contributed by Critical Commons Manager
A beautiful but deadly fembot takes revenge in Eve of Destruction 01:48 A beautiful but deadly fembot takes revenge in Eve of Destruction
From Eve of Destruction (1991).
Released the same year as Thelma and Louise, this payback sequence begs questions about female empowerment in cinema Contributed by Critical Commons Manager
Tomorrow Never Dies titles and cyborg chic 02:52 Tomorrow Never Dies titles and cyborg chic
From Tomorrow Never Dies (1997).
Sexy cyborg Bond girls, geek chic and digital morph effects adorn the title sequence of Tomorrow Never Dies Contributed by Critical Commons Manager
Dr. Goldfoot demonstrates his Bikini Machine 01:26 Dr. Goldfoot demonstrates his Bikini Machine
From Dr. Goldfoot and the Bikini Machine (1965).
Supercomputer kitsch provided by decommissioned Burroughs B205s provides the backdrop for Dr. Goldfoot's demo Contributed by Critical Commons Manager
A recalcitrant supercomputer defies its operator in Willy Wonka and the Chocolate Factory 01:46 A recalcitrant supercomputer defies its operator in Willy Wonka and the Chocolate Factory
From Willy Wonka and the Chocolate Factory (1971).
A recalcitrant Siemens System 4004 supercomputer refuses to participate in "the greatest miracle of the machine age" Contributed by Critical Commons Manager
Gestural and holographic interface in The Avengers 01:08 Gestural and holographic interface in The Avengers
From The Avengers (2012).
The Iron Man lab sequences in The Avengers offer a futuristic vision of seamless, responsive interfaces that are gestural, holographic and tangible as needed Contributed by Critical Commons Manager
An autistic youth is able to see electromagnetic information streams in Alphas 01:43 An autistic youth is able to see electromagnetic information streams in Alphas
From Alphas (2011).
Hand gestures provide the logical form of interface when directly accessing the electromagnetic spectrum Contributed by Critical Commons Manager
Supercomputer kitsch adorns the credit sequences of The Honeymoon Machine 02:24 Supercomputer kitsch adorns the credit sequences of The Honeymoon Machine
From The Honeymoon Machine (1961).
Song lyrics explain the difference between humans and computers Contributed by Critical Commons Manager
The real Adolf Hitler and the real Bill Clinton in Contact 04:30 The real Adolf Hitler and the real Bill Clinton in Contact
From Contact (1997).
A Bill Clinton speech is recut to be about extraterrestrial intelligence in Contact Contributed by Critical Commons Manager
IBM Data City 00:32 IBM Data City
From Data City (2010).
Motion Theory's Data City for IBM's Smarter Planet campaign Contributed by Critical Commons Manager
Apple ad: Rip. Mix. Burn 01:48 Apple ad: Rip. Mix. Burn
From Rip. Mix. Burn. (2006).
In the first iPod ad from 2006, a white teenager assembles an eclectic playlist from live performers in a concert hall Contributed by Critical Commons Manager
IBM Data Energy 00:31 IBM Data Energy
From Data Energy (2010).
Motion Theory's Data Energy for IBM's Smarter Planet campaign Contributed by Critical Commons Manager
The supercomputer ZERO provides selective access to all human knowledge in Rollerball 07:40 The supercomputer ZERO provides selective access to all human knowledge in Rollerball
From Rollerball (1975).
A dystopian future without books depends on a liquid core supercomputer to remember history Contributed by Critical Commons Manager
An early example of multi-source data processing to combat terrorism in The Doll Squad 02:05 An early example of multi-source data processing to combat terrorism in The Doll Squad
From The Doll Squad (1973).
A CIA supercomputer named BERTHA recommends "experienced women" to foil a terrorist plot Contributed by Critical Commons Manager
The anxieties of database identity on Cybergeddon 00:46 The anxieties of database identity on Cybergeddon
From Cybergeddon (2012).
Ordinary citizens' "whole lives" may be taken away by evil hackers and cyber-terrorists "at the push of a button" Contributed by Critical Commons Manager
Postnational capitalist systems theory in Network 05:01 Postnational capitalist systems theory in Network
From Network (1976).
A media conglomerate CEO explains the economics of post-industrial, post-national capitalism Contributed by Critical Commons Manager
Creating a Fembot on Eve of Destruction 01:15 Creating a Fembot on Eve of Destruction
From Eve of Destruction (1991).
A fictional history of government experiments in robotics results in the creation of a beautiful but deadly fembot Contributed by Critical Commons Manager
Prototype of wearable computer on Get Smart, Again 00:39 Prototype of wearable computer on Get Smart, Again
From Get Smart Again (1989).
Maxwell Smart is outfitted with a wearable computer made of "thousands of cotton microchips interwoven with silk spun from specially bred silkworms from the Silicone (sic) Valley" Contributed by Critical Commons Manager
Dr Goldfoot demonstrates the programming function of his Bikini Machine 01:07 Dr Goldfoot demonstrates the programming function of his Bikini Machine
From Dr. Goldfoot and the Bikini Machine (1965).
Tape drives from a Burroughs B205 are used to program beautiful but deadly female companion robots Contributed by Critical Commons Manager
Light pen and holographic display as design fiction in Sound of Thunder 01:01 Light pen and holographic display as design fiction in Sound of Thunder
From A Sound of Thunder (2005).
In an age of time travel a holographic light pen display makes for a plausible design fiction Contributed by Critical Commons Manager
Computerized racism on Get Smart 00:33 Computerized racism on Get Smart
From Get Smart "The Girls from KAOS" (1967).
Computerized facial recognition, which was still a largely fictional technology in the mid 1960s, is here used to reinforce ethnic stereotypes Contributed by Critical Commons Manager
Denouement sequence of The Avengers features a holographic touch interface 00:29 Denouement sequence of The Avengers features a holographic touch interface
From The Avengers (2012).
The end of The Avengers showcases a previously unseen interface-display apparatus for architectural visualization Contributed by Critical Commons Manager
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